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The Sagegazers is a project dedicated to uncovering rare ambient, electronic, and New Age cassette music from the 1980s and '90s. This mixtape provides a curated journey through 15 selections, showcasing the depth and intimacy of this overlooked musical landscape. The overall sentiment is a celebration of hidden musical gems.

Andy Boay's latest release, "Doomed," is a meticulously crafted lo-fi opus that builds upon the strengths of its predecessor, "You Took That Walk For The Two Of Us." The album features reverbed vocals, guitar explorations, and extensive tape manipulation, presenting a unique and deeply personal artistic statement.

Jeremy Cunningham's "Passing Fires" is an album characterized by restless curiosity, blending diverse genres from free-jazz to pop with a steady rhythmic foundation provided by Cunningham's drumming. It's a complex and engaging work that avoids aimlessness.

This article announces the broadcast schedule for The Aquarium Drunkard Show on SIRIUS/XMU, detailing its regular time and channel. It describes the show's eclectic musical approach, encompassing "inspired alliances," "alternate takes," and "live excursions."

This article reviews archival releases "Volume 3" and "Volume 4" by the Somalian hotel band Dur-Dur Band. The band is noted for streamlining their sound in the studio, incorporating influences from Motown, disco, reggae, and Afrobeat, while maintaining a connection to 70s aesthetics despite the 80s setting.

This article is a preview of an interview with Johnny Marr about his new album, 'The Age Of Everything'. Marr, known for his distinctive guitar work with The Smiths, will discuss his influences, including Black American musicians and Neil Young.

Future Sounds of Jazz Vol. 16 is a compilation that expertly blends jazz, dub, electronic music, improvisation, and psychedelia, presented with the intuitive flow of a DJ set. It offers a glimpse into the future of jazz, highlighting its wonderfully undefined and elastic nature.

Protomartyr's seventh album, "Hotel Usona," offers a bleak yet fitting soundtrack to the current state of America, envisioning the nation as a dilapidated hotel. The album draws on the band's established sound while exploring themes of societal decay and disillusionment.

Lee Ranaldo, known for his experimental guitar work in Sonic Youth and other projects, is exploring film composition with his soundtrack for "The System." The article highlights nine other guitar-centric soundtracks that inspired this new venture, showcasing Ranaldo's diverse influences.

This article highlights a diverse range of electronic music releases available on Bandcamp, emphasizing the unique personal voices of producers across various subgenres. It celebrates the human element in music creation, contrasting it with AI, and praises the individuality and emotional depth found in the featured tracks and albums.

Stef Chura's "Dancing Alone on the Concrete" marks a significant maturation for the artist, showcasing a more assured and experienced voice across a collection of less punk, more suave songs. While still retaining some of her signature energy, the album emphasizes emotional depth and personal agency, particularly in standout tracks like "Danny." The verdict is a strong endorsement of Chura's growth and artistic evolution.

This month's "Best Metal on Bandcamp" roundup highlights a diverse range of artists, including Dutch black metal band Fluisteraars, NWOBHM veterans Cloven Hoof, and the sludge-punk outfit CRUD. The article praises Fluisteraars' "Jacht der Mysteriën" as a creative peak, celebrates Cloven Hoof's "Never a Prophet in Your Own Land" as expertly crafted heavy metal, and lauds CRUD's "Human Decency" as "great" and politically charged.

Kaitlyn Aurelia Smith's latest album, "Ruin: It's Not Just Music," marks a bold departure into high-BPM electronic genres like jungle and drum & bass. The album is described as purposeful dance music, featuring a blend of euphoric trance and experimental sound design that is both exhilarating and confrontational.

This Bandcamp roundup highlights the best field recordings released in September 2026, featuring diverse artists who capture unique sonic landscapes from Iceland's mundane to Austria's resonant valleys, France's coastal dialogues, and even the hum of insects. The collection showcases innovative approaches to capturing and manipulating the sounds of the world, often blurring the lines between natural and synthetic or the sublime and the everyday.

TV Buddha's "Hallelujah Anyway" is a surrealist, psych-tinged garage rock album that blends avant-garde weirdness with jangle-pop immediacy. The album successfully channels the sounds of the early '60s into an exhilarating modern opus, showcasing the band's ambitious vision and connection to the Chicago DIY scene.

This monthly column highlights the best new jazz releases on Bandcamp for September 2026, showcasing a diverse range of styles from straight-ahead modern jazz to fusions with global traditions. The featured artists demonstrate the genre's ongoing evolution and vibrant creativity, with several releases earning particular praise for their innovative approaches and compelling performances.

This article celebrates 25 years of the experimental and evolving band The Ocean, highlighting their unique collaborative approach to music creation. It delves into their discography, focusing on how their latest release, Solaris, continues their tradition of reinvention through new collaborators and conceptual depth, maintaining Robin Staps's expansive artistic vision.

This Bandcamp column highlights notable ambient music releases from September 2026, spanning diverse sonic landscapes from psychedelic tinges to New Age evocations and experimental soundscapes. The selection features a variety of artists, each offering a unique take on the genre, from drone-heavy compositions to more abstract electronic explorations.

This article highlights notable ambient music releases available on Bandcamp in September 2026, covering a diverse range of sounds from psych-infused electronica to New Age and experimental soundscapes. It features releases from Bitchin Bajas, Dream Crease, Various Artists, Maxime Denuc, Sarah Davachi, Windy & Carl, claire rousay & Martyna Basta, Space Afrika, Perila, MPU101, Slowfoam, and another Various Artists compilation, offering brief insights into each artist's work.

This bi-monthly column, Music Seen, highlights musicians who have successfully transitioned into film scoring. It showcases five notable examples, including Kangding Ray, Ty Segall, Isabella Summers, Disasterpeace, and Sufjan Stevens, detailing their contributions to various film and TV projects.

This "Album of the Day" review tackles "The Travel Agency Is On Fire," a sprawling 4-CD release from Anne Waldman, Thurston Moore, James Ilgenfritz & Anagram Ensemble. The album features readings of William S. Burroughs' cut-up texts, accompanied by experimental music and sound design, resulting in a dizzying, fragmented, and at times disturbing yet fascinating auditory drama.

This article introduces five cassette-focused record labels: Breton Cassette, NO PART OF IT, Special Species Records, Stereoscape Records, and The Tidal Charm. It highlights key releases and the unique artistic visions and operational philosophies behind each label, celebrating the diverse landscape of experimental and niche music distributed on cassette.

This article rounds up the best new hip-hop releases on Bandcamp for September 2026. It highlights diverse artists and projects, ranging from political commentary and psychological journeys to nostalgic instrumental beats and food-centric narratives, showcasing a vibrant underground scene.

Big Flowers and shemar's "i love nature!" is a blistering, chaotic exploration of humanity's separation from nature and the interconnectedness of all things. The album's intense production and raw vocal delivery create a sense of urgency, reflecting the disorienting modern era. It's a profoundly honest and ultimately beautiful record that reminds listeners they are part of a larger, vital ecosystem.

Amsterdam Dance Event (ADE) is celebrating its 30th anniversary with over 1000 events scheduled across Amsterdam from October 21-25. The festival will feature more than 3,300 artists and includes a wide range of activities such as club nights, live performances, art installations, talks, and industry conferences.

The Huddersfield Contemporary Music Festival (hcmf//) has announced its 2026 program, set to run from November 20-29 and featuring over 70 premieres. The festival will highlight works by James Dillon, Rebecca Saunders, Lauri Supponen (as Composer in Residence), and various international composers, alongside special anniversary performances for Michael Finnissy, Steve Reich, and Morton Feldman.

MUBI Fest is set to debut in London this November, transforming Hackney Picturehouse into a three-day hub for film enthusiasts. The festival will feature screenings, talks, Q&As, and music events, including previews of "Rose" and "A Long Winter," alongside retrospectives and a special "Drive"-themed DJ event.

EartH has announced its autumn/winter 2026 program, featuring a diverse range of experimental electronic music, club nights, and live performances. The venue will host curated series like 'EartH Presents' alongside appearances from notable artists such as Marina Herlop, Gigi Masin, and Mariam, as well as collaborations with festivals like Unsound London and Pitchfork Music Festival London.

This installment of The Capsule Garden focuses on the Musique Concrèmo series and highlights a diverse array of experimental releases. The reviews showcase artists exploring textured soundscapes, fragmented melodies, and the emotional weight of field recordings, often blending ambient, drone, and electronic elements into evocative sonic journeys.

This episode of "Songs of Our Lives" features Michael Cormier-O'Leary discussing his project Hour's upcoming album "Ghost Bridge." The conversation delves into the album's title and creation process, followed by a curated playlist of diverse tracks from artists like ABBA, Warren Zevon, and Joni Mitchell.

The Undertones delivered a breakneck and thrilling 90-minute set celebrating their punk and new-wave repertoire, proving their classic songs like "Teenage Kicks" still resonate with both older fans and their own enduring spirit. The performance skillfully balanced raw energy with poignant reflections on nostalgia, earning a highly positive reception.

Elvis Costello shares his personal music playlist, revealing his fondness for Jimi Hendrix's romantic side and Bob Dylan's poignant songwriting. He expresses a strong dislike for Pink Floyd's music, deeming it 'dreary,' and notes his preference for classic soul and jazz over karaoke.

Olivia Dean is facing a copyright infringement lawsuit from Mattie Music Group, owners of Bill Withers' back catalogue. They allege Dean's track "I've Seen It" "stole substantial" aspects of Withers' classic "Just the Two of Us." The lawsuit names Dean's publisher and record label as defendants.

Hayley Kiyoko discusses the significance of releasing her film "Girls Like Girls" amidst a challenging political climate for the LGBTQ+ community. The film, an extension of her breakthrough 2015 single, serves as a love letter to her younger self and aims to provide representation for queer and Asian individuals, emphasizing queer joy and love. Kiyoko expresses newfound confidence in her directorial career, finding it to be her true calling.

The article celebrates the enduring legacy of Cronos, frontman of Venom, highlighting his crucial role in pioneering black metal and reigniting a hellraising attitude in rock music. Despite initial harsh criticism, Cronos's diabolical grandstanding and raw sound profoundly influenced countless musicians and subgenres, solidifying his status as an innovator who ensured metal's survival.

In an interview, ambient artist Liz Harris, known as Grouper, discusses the unexpected virality of her song 'Poison Tree' on TikTok, which unfortunately led to royalty scams. She contrasts her solitary work as Grouper with the collaborative and 'restorative' experience of her band Helen, highlighting her desire for balance and fun in her artistic life.

A growing number of media consumers are returning to physical formats like CDs, DVDs, and vinyl to escape the perceived downsides of streaming and algorithmic curation. Motivations include data privacy, supporting artists, retaining ownership, and a desire for a more deliberate and tactile engagement with media.

Greg Freeman's third album, 'All Set the Bone,' is an ambitious double album that expands on the scale of his previous work but sacrifices some immediate appeal. While energetic and full of lyrical anxiety, it spreads its talents thinly, making it less instantly engaging than his breakout 'Burnover.'

This review praises the 1981 docufictional comedy "Take It or Leave It" for its vividly atmospheric portrayal of Madness in their formative years. The film is commended for its almost Loachian social realism and gripping, gonzo comedy moments, offering an authentic glimpse into the band's pre-fame struggles and the crucial arrival of their singer.

Erasure's Andy Bell and Vince Clarke discuss their 40-year friendship, the grief of losing Clarke's wife, and the upcoming 20th album, Radio!! Radio!!. Clarke will not be touring with the band due to personal reasons following his wife's death, but will serve as musical director remotely.

Conrad Lant, the influential frontman and bassist of the UK heavy metal band Venom, has died at the age of 63. Known as Cronos, Lant's distinctive style and vision were central to Venom's sound, significantly impacting the thrash and black metal subgenres. The band's statement highlighted his uncompromising and fearless artistry, which helped shape the evolution of heavy music.

Jackie Jackson, the influential bass player for Toots and the Maytals, has died at 79. Jackson was a cornerstone of Jamaican popular music, providing melodic bass lines for numerous reggae and rock steady hits in the 1960s and 70s, and was recognized with the Order of Distinction for his contributions.

Rapper Rick Ross was arrested in Miami Beach on Thursday and charged with felony battery by strangulation and misdemeanor battery. The arrest follows accusations of physical abuse made by his ex-girlfriend, Jazzma Kendrick, who shared images of a swollen lip she attributed to the artist. The circumstances of the alleged incident and the identity of the victim have not been specified by authorities.

In this reader interview, The Pogues' Spider Stacy and James Fearnley reflect on the band's legacy, particularly their late frontman Shane MacGowan, touching on his struggles with addiction and mental health, his profound impact on Irish identity in music, and their enduring connection to his artistic vision. They also address the controversy surrounding "Fairytale of New York" and acknowledge the influence of contemporary Irish folk artists.

Meshell Ndegeocello's "Synonym" offers a "vivid all-star reinvention" of diverse songs, transforming them into a "singular achievement." While some experiments falter, the album is largely a "fascinating" exploration of "queer liberation" and pop's malleability, proving Ndegeocello's unique artistry.

This article critiques the heavy metal genre's tendency to overlook or forgive alleged abuse by prominent artists, using Marilyn Manson's upcoming support slot with Slipknot as a central example. Despite numerous accusations and lawsuits, artists like Manson, Pantera, and Falling in Reverse continue to tour and release music, which the author argues undermines metal's purported message of uplifting the downtrodden and fosters an unwelcoming environment.

The Pussycat Dolls' reunion tour, despite being fraught with legal disputes and reduced to a trio, delivers a "decent spectacle" powered by Nicole Scherzinger's star power. While the performance features entertaining moments and highlights Scherzinger's vocal prowess, the unequal distribution of spotlight between the members creates an uneven experience, though it largely works for the show's entertainment value.

This article presents a quiz challenging readers to guess the regionally specific songs Andy Burnham, the Mayor of Greater Manchester, selected to soundtrack reception events at Labour conference. It highlights the varied musical tastes and regional connections represented by his choices, from The Clash to Napalm Death.

This article explores how the tiny Texan town of Luckenbach, revitalized by Hondo Crouch in the 1970s, became an improbable but significant heartland for country music. It served as a rural haven for artists disillusioned with Nashville's commercialization, immortalized in songs and drawing fans seeking a simpler life.

The Guardian publishes an obituary for Mighty Sparrow, the legendary Trinidadian calypsonian hailed as the greatest of all time. The article highlights his immense influence, witty and politically charged songwriting, and his status as a cultural icon comparable to Bob Marley.

This article delves into the making of Republica's 90s anthem "Ready to Go," featuring interviews with lead singer Saffron Sprackling and guitarist Johnny Male. They discuss the collaborative process, the song's inspiration from daily life and the acid house scene, and its lasting impact on artists and culture, culminating in its widespread recognition.

Stevie Wonder has released a surprise EP featuring four unheard songs from the sessions for his 1976 masterpiece, "Songs in the Key of Life." These tracks, released to coincide with the album's 50th anniversary and an accompanying arena tour, continue the album's signature soulful, spiritually attuned R&B sound.

Rod Stewart, 81, has announced his "The Final Encore" tour, scheduled for April to July 2027, marking the definitive end of his six-decade touring career. While he may consider one-off performances in the future, this extensive UK and European run will be his last, concluding a journey that began in the early 1960s. Stewart expressed gratitude for his career and hoped to have provided lasting memories for his fans.

Blondshell's third album, "Violins," is an exceptional collection that maintains the artist's raw edge while embracing bigger, bolder arrangements. Featuring evocative vocals and intimate lyricism, the album showcases Teitelbaum's unbridled confidence and songwriting prowess, marking another strong addition to the Blondshell discography.

Julia Jacklin's fourth studio album, and 4AD debut, showcases her signature voice alongside refined atmospheric rock and indie pop. The album explores the tension between love and freedom with velvety, textured arrangements, to jaw-dropping effect.

Leon Bridges' fifth studio album, "Happiness Anytime," is a vibrant and eclectic fusion of alt-R&B and neo-soul, featuring lively rhythms and undeniable grooves. The album showcases Bridges' smooth vocals against propulsive, funky arrangements.

Adult DVD's debut album is an exhilarating set of anthemic, propulsive synth-dance-punk jams that blend electronic euphoria with spiky hardcore energy. The album is an addictive collection primed for both mosh pits and dancefloors, earning a strong positive reception.

beabadoobee's fourth studio album, Pylon, is a lush and expansive offering that seamlessly blends grunge-infused rock with pop meditations. The album showcases an artist assured in her growth, featuring memorable guitar lines and versatile vocals across its fourteen tracks.

Chloé Caillet's new EP "Dance Again" is an incendiary, fun, and infectious set of dance music blending house, disco, club, and rave. The EP features pulsing beats, bouncy basslines, scintillating synths, and gripping hooks that will make listeners want to dance.

Freak Slug's sophomore album, 'Amulet,' is a woozy, genre-bending blend of indie rock, pop, and shoegaze, featuring atmospheric guitars and deeply personal lyrics. Xenya Genovese levels up her craft, exploring spirituality and identity with a playful yet profound touch.

Gurriers' sophomore album, "Nobody's Coming To Save You," is a powerful and cathartic record characterized by its big, bold, and bombastic sound. The album effectively channels protest and resilience through seething guitars, explosive percussion, and impassioned vocals, resulting in a riveting listening experience.

Kiefer's solo debut on Blue Note Records, "Memory Bomb," is a vibrant blend of jazz, hip-hop, and soul, distinguished by its instrumental foundation and a strong lineup of guest vocalists. The album is praised for its warm, lush beats and sumptuous keys that create a cohesive and enjoyable listening experience.

Uche Yara's debut album, BODYSCANNER, is a highly inventive and thrilling release that blends art pop, electronic, alt-R&B, and post-club sounds with a punk edge. The album balances grit with compelling hooks, offering a unique artistic vision through its dynamic vocals and intriguing sonic manipulations.

YEИDRY's debut album is a vibrant and adventurous set of Latin pop, blending alt-R&B, electronic production, and various Latin styles. The artist confidently navigates between tender and club-focused pop, carving out her own unique sound.

Babehoven's third studio album, "I See Them, I See Me," is a melancholic indie folk collection that explores themes of life, love, and music through tender lyricism and layered instrumentation. The album features Maya Bon's expressive vocals supported by a diverse range of instruments, offering a profound search for meaning.

Beck's fifteenth studio album, "Ride Lonesome," is a beautifully understated collection of orchestral alt-rock, arriving after nearly seven years. The album's introspective lyricism, guided by sweeping cinematic arrangements and ethereal vocals, explores themes of heartbreak and forging a new path forward.

Bullion's latest album, "Nearly," is a collection of crystalline synth-pop with an avant-pop slant, featuring immaculate productions and Jenkins' voice more prominently. The album is a sweet and charming listen, with L Devine making a guest appearance on standout track "Francis Ford."

Dogs on Shady Lane's debut album "Knots" is an impressive set of arty, dynamic, folky indie rock, characterized by intimate songwriting, earworm melodies, and sweet harmonies that shift between dreamy and muscular.

Hermanos Gutiérrez's "Los Ojos Del Cóndor" delivers another evocative set of instrumental pieces, blending Latin-slanted spaghetti western scores with dreamy, cinematic guitar work. The album showcases their signature lyrical guitar intertwining, augmented by subtle flourishes of accordion, strings, and organ.

ISHA's debut album, 'Feel At Home,' is a confident and strong collection of soulful pop songs infused with R&B, funk, disco, and jazz, showcasing her independent production and vulnerable lyrical themes. The album marks a significant coming-out party for the queer artist as she embraces her singer/songwriter identity.

Jam City's fifth album, 'My World,' continues his signature sleek, futuristic synth-pop sound, blending R&B, funk, and club influences. The album is praised for its ahead-of-the-curve production and features a diverse range of guest vocalists who enhance the magnetic soundscapes.

Maria Usbeck's latest EP, "Canciones De Amor," is a charming collection of art-pop, Latin-pop, and synth-pop, blending Spanish and English lyrics. The EP features "Lagrimas" as a standout track, while other songs explore her signature ethereal and groovy sound.

megiapa's debut album, "Intentions," is a brilliant fusion of R&B, jazz, electronic, and soul. The collection showcases an artist both focused and fluid, with layered instrumentation and expressive vocals crafting a cohesive yet emotionally diverse whole.

Pokey LaFarge's latest album is a charming and joyful set of genre-melding folk music. The veteran artist continues to infuse his songs with diverse flavors from funk to reggae, resulting in another inspired outing that keeps the troubadour spirit alive. This is a highly recommended album.

Starcleaner Reunion's debut album, "Umbrella," is a dreamy and shimmering set of indie pop characterized by Jo Roman's ethereal vocals and intricate, airy soundscapes built from ambient guitars, delicate percussion, groovy bass lines, and orchestral flourishes, resulting in a levitating effect.

Thee Sinseers' sophomore album, "Love Stories," is a delightful vintage soul offering, praised for its sweet harmonies, tender lyrics, and classic instrumentation, making it a divine and transportive listen.

Tokyo Tea Room's second album, 'Feel Forever,' is a delightful dream-pop release featuring lush soundscapes, romantic melodies, and vocalist Beth Dunn's warm, honeyed voice, complemented by the band's analog-rich grooves.

Your Old Droog's 13th album, "Bread & Butter," is a solid East Coast boom-bap hip-hop effort featuring clever bars over soulful, grimy beats. The album includes a standout track with Georgia Anne Muldrow, offering a lively pulse.

Emily A. Sprague discusses her new album "Cyano," which merges her ambient and songwriting styles into a unique "graft chimera." The album explores themes of connection, empathy, and transformation through a science fiction lens, inspired by processes like cyanotype and a trip to Iceland. Sprague emphasizes vulnerability and intuition in her creative process, aiming to create music that feels both familiar and alien.

CIFIKA's new EP, "Old Fantasy," represents a significant evolution, showcasing a deliberate turn inward for purer creative expression. The EP marks a personal rebirth, with the artist embracing past experiences and honing her distinct vision through a meticulously isolated production process, resulting in a cohesive yet mind-warping journey.

A new compilation album titled 'Contra-Ice Vol. 1: ICE OUT' has been released to raise funds for frontline immigrant rights organizations. Curated by DJ Dali, the album features a wide array of artists, including Kathleen Hanna, Tom Morello, Fred Armisen, and Jello Biafra.

Irish folk sextet Madra Salach has released a new single, "Ribbon Factory," in anticipation of their sold-out UK tour. The song showcases a shift towards "lively and punky arrangements" and is described by the band as "uniquely Irish" and filled with "anger and despair." This release coincides with the band's successful tour and upcoming appearances on Jools Holland and a Shane MacGowan tribute album.

This article profiles Dani Offline, an artist whose debut album "Lovers Discourse" and single "ouch!" explore the complexities of modern love with a blend of academic insight and playful critique. The piece highlights her multidisciplinary approach, drawing from literature, jazz, and 70s soul, ultimately presenting her as an innovative voice grounded in Black musical heritage.

Grime artist Skepta has announced his first solo album in seven years, titled "The Fork and Knife," set for release on November 6th. The album explores themes of identity, British-Nigerian heritage, and cultural intersection, drawing inspiration from sound system, club, and rave culture, as well as 1980s Nigerian-British imagery.

Yesteban, the solo project of David Boring, has released his debut single "Grab," featuring Pete Doherty. The single is a preview of his upcoming debut album, "King Boring," which will explore Jamaican influences mixed with pop and melancholic ballads.

Irish alt-rock band Bleech 9:3 has released their new single "Tourniquet," which premiered as BBC Radio 1's Hottest Record In The World. The band also announced their largest headline tour to date for 2027, including a show at London's Kentish Town Forum, and confirmed their debut album will be titled "Bleed."

William Dorey, known as Skinshape, discusses his passion for mushroom foraging in a new episode of the "Talk The Line" podcast. The prolific artist has released ten albums and will embark on a European tour following the release of his eleventh album, "Chapman's Pool."

Norwegian folk-fusion group Diket has announced their debut album, DIKET I SOLEN I DIKET, set for release on October 23, 2026. The album features a seasonal structure and lyrics exploring themes of loneliness and belonging, with music blending traditional folk with synthetic layers and post-rock influences.

Montreal songwriter James Clayton's alt-country project clay pigeon has announced its second album, Cash Out in Kid Gloves, set for release on November 6. The announcement is accompanied by the release of the lead single "Mount Pleasant," which explores themes of a relationship likened to a dog, aiming to capture live imperfections through processing and edits.

This article is a weekly roundup of new music, highlighting under-the-radar artists selected by Best Fit's team. It aims to feature emerging talent beyond the mainstream, encouraging readers to support these artists through purchases and social media follows.

Australian post-punk band Radio Free Alice has released a new single, "Big Ideas," featuring Rachel Brown of Water From Your Eyes. The track is the latest preview from their upcoming debut album, "What's In Between," and features a vocal collaboration inspired by the band's admiration for Brown's distinctive voice.

Puerto Rican producer naagelatin's new EP "playere" is a sun-soaked, boundary-free collection of ambient, downtempo, and electronic experiments. The EP's standout track, "CH0P," embodies the project's carefree spirit and marks a significant incorporation of the artist's vocals. The release represents a tonal shift from naagelatin's previous moodier works, embracing a bright, organic, and playful sound.

Domino Records is reissuing Anna Domino's 1984 debut mini-album, East And West, on December 4th. The release will include the original tracks, key singles, and seven previously unreleased demos. A new track, "Happy To Go," featuring an animated video, has also been shared.

Holly Humberstone is releasing a deluxe edition of her album "Cruel World" titled "Cruel World...So It Ends," featuring a new single "Too Cute To Be Lonely." This expanded version marks a brighter, more confident sonic direction for Humberstone, inspired by artists like ABBA and Robyn.

London collective HMLTD has released "Umami," a new single inspired by "recession-pop-era EDM," bloghouse, and eurotrash. The track previews their upcoming album, FANGS, and is accompanied by an announcement for a February 2027 UK tour.

Blackhaine has announced his debut album, "Saints In The Wethouse," set for release on November 13th via XL Recordings. The album will feature twelve songs exploring his noise rap sound and includes collaborations with a range of artists and producers. The announcement is accompanied by the release of the lead single, "Consumer," and news of a live premiere at Unsound Festival.

Big Red, the solo project of Joseph Scarisbrick, has released "Lost (And Found)", a new single from their upcoming debut album "Big Sur." The track, inspired by a personal experience of heartbreak and longing, joins previous singles in offering a glimpse into the album's themes.

Emma Ogier has signed with Lost Highway Records and announced her debut album, "Fly 1111," set for release on November 11. The album, produced by David Baron, explores the sacrifices of a creative life and self-trust, with the new single "Hands Tied" offering a preview of its intimate and human themes. Ogier will also be making festival and tour appearances throughout late 2026 and early 2027.

Indie rock band Porij has released "Valley Kudu," their first new music since their 2024 debut album "Teething." The song is described by the band as their most indie-leaning track to date, sonically evoking coming-of-age montage moments while lyrically dealing with themes of hope and healing through difficult times, with its title serving as a tongue-in-cheek homage to Mount Kimbie.

Melbourne five-piece Delivery has announced their upcoming third album, "Zone 3," set for release on February 26, 2027. The album was recorded quickly with producer Dan Luscombe and features the lead single "Measuring Cup," which is described as a punk-rock introduction. Delivery will also embark on a UK and European tour.

La Force, the solo project of Ariel Engle, has released a new single titled "Darth Vapour." The song is the first preview of an upcoming album and explores themes of consumption and lust, stemming from an improvised jam session.

Klein's surprise album "my own fairytale" is a compelling, experimental ambient masterpiece that blends diverse influences into a fantastical, cinematic experience. While it retains her disruptive personality and avoids comfortable lushness, the album is a wildly inventive success, though it may not make introducing her music to her family any easier.

South London duo Sandhouse has announced their new EP, "Pollyanna," set for release on October 30th. The EP will feature four tracks, including their new single "Gasoline," and explores themes of healing and empowerment through a blend of grunge, trip-hop, and alt-pop.

DJ Suzy's new single "end scene" offers a hopeful resolution to heartache, exploring themes of a relationship's final moments through a blend of wordplay and lo-fi, 8-bit inspired sounds. The track, part of her upcoming debut album "Kira Krash," showcases Suzy's ability to build immersive sonic worlds that acknowledge difficult emotions.

Spike Fuck's new album, 'evidence,' is a cathartic and triumphant proof-of-life statement, moving beyond past struggles and personal mystique to offer a raw, rock 'n' roll record. The album is an unapologetically diaristic and vulnerable expression of his thoughts, culminating in a vulnerable but honest exploration of self and existence, even amidst his ongoing personal transformations.

Absolutely Yours' "Desire Path" is a strong entry in the dream-pop field, elevating their previous work with mellifluous textures and heartfelt lyricism. The album offers consolation and emotional navigation through subtle yet effective songwriting, making it a standout release.

Christian Forshaw and Grace Davidson's "Lindisfarne: Beyond the Causeway" masterfully blends Christian spirituality and English folk song traditions, creating a thoughtful and engaging contemporary work. The album is a near-perfect balance of Forshaw's restrained accompaniment and Davidson's serene soprano, offering a highly captivating listening experience.

Helen's comeback album, "Linda's Head," offers a comforting, nostalgic journey through dream-pop and shoegaze, but ultimately lacks essential impact. While intimate and carefully crafted, the album meanders and too often feels like a revisitation of past sounds rather than a fresh statement, leading to a verdict of comforting but not essential.

Irish post-punk band Fontaines D.C. have released "Tongue," the second single from their upcoming album "Dopamine Chamber." The track showcases a more experimental recording process, incorporating tape manipulation and vocal sampling, and is accompanied by a new music video. The band is set to embark on a European tour in support of the album.

Tinashe's eighth album, "Popstar," is a vulnerable and burning exploration of the anxieties and struggles of fame. The album is praised for its sleek, strong, and cool sound, with the reviewer concluding it might be her best work yet.

Wishy's sophomore album, Nature's Pill, is a triumphant embrace of affectionate, jangly indie rock that expertly captures the highs and lows of love and heartbreak. The album successfully reinvents classic indie sounds with modern sensibilities, offering a cathartic and joyful listening experience.

Starcleaner Reunion's debut album "Umbrella" is a delightful and spacey retro-pop offering that successfully evokes intergalactic whimsy. Despite clear influences, the album's joyous soundcraft and cohesive universe-building make it a standout debut, earning a solid 7/10.

ArcTanGent Festival has announced Blood Incantation and Neurosis as headliners for its 2027 edition, which will take place in Gloucestershire. The festival will feature a diverse lineup of rock, metal, and experimental artists, marking a new chapter at its Cotswolds location.

Belgian pop artist Angèle has released "Love Triangle," the final preview from her upcoming album "INSTINCT." The track features producer SebastiAn and singer Caroline Polachek, blending electronic textures with bilingual vocals and exploring themes of reality versus fantasy in relationships.

Pollyfromthedirt has released a new single, "White Wine Vinegar," which explores a more tender and emotional sound. The artist also announced their debut London headline show at Theatreship, alongside upcoming festival appearances.

Mei Semones has announced her second album, "Howl," due January 15 via Verve/Interscope. The album will explore life's complexities and growing up, with the title track "Howl" serving as the lead single and accompanied by a music video. This release marks Semones' debut on a major label and follows her 2025 album, "Animaru."

London-via-Paris band Spanish Horses have announced their debut EP, Small Notions, set for release on November 27th via So Young Records. The EP is described as a collection of songs built on "carefree optimism" and aims to manifest change, featuring the previously released single "Hey Man (Hey Man!)" and the new track "Some People."

London-based alt-pop artist Kaeto has released "propane," her first single since signing to Partisan Records. The track, which explores navigating relationships as an autistic person, merges various genres and reflects Kaeto's dual capacity for love and destruction.

Essence Martins has announced her forthcoming EP, "It All Comes To End," set for release on October 29th. The EP will feature seven songs exploring themes of time, identity, love, and the financial realities faced by musicians, as highlighted by the new single "A Confession (I'm Broke)." Martins aims to capture the humor and relatability in these struggles, encouraging listeners to embrace life.

Andrew Garfield revealed in an interview that Nigerian musician Fela Kuti was a key inspiration for his portrayal of Spider-Man in "The Amazing Spider-Man." Garfield explained that Kuti's music, with its focus on bodily connection and justice-seeking, helped him embody the character's revolutionary spirit and movement.

Wishy's upcoming album, "Nature's Pill," is discussed in an interview with members Kevin Krauter and Nina Pitchkites. They emphasize crafting infectious hooks and embracing a more grounded approach to songwriting, focusing on making "bangers" rather than trying to change the world. The album aims to be optimistic and reflect their growth as musicians.

Spanish Horses' new single "Some People" successfully merges Americana and art-rock with a driving, danceable energy. The track showcases the band's ability to balance looseness and control, creating a dynamic listening experience with moments of tenderness.

Tanner York has announced the reissue of his debut album, "Welcome to the Shower," via Merge Records, coinciding with his signing to the label. The reissue will include the previously unreleased single "Dumbest Person Alive."

SOAK, the project of Bridie Monds-Watson, has announced their upcoming album "decembers," set for release on December 4th via Rough Trade Records. The album's title track serves as the first preview, and it emerged from a period where Monds-Watson grappled with an autoimmune disease that affected their singing, leading to themes of forgiveness and traversing different life stages.

This article presents a photo essay of the 2026 All Things Go DC festival, showcasing the performances of various artists through the lens of photographer Burak Cingi. It captures the event's atmosphere as it concluded at Merriweather Post Pavilion.

Victoryland, the project of Julian McCamman and Dan Howard, has signed to Dead Oceans and announced a deluxe version of their album "My Heart Is A Room With No Cameras In It," featuring previously unreleased tracks. They also shared the new single "The Ugliest Girl On The Beach" from the upcoming deluxe edition.

Manchester quartet Wyatt have announced their signing to Heist or Hit and released their debut single "Morning." The track blends jangle and slacker rock, offering a nostalgic introduction to the band's sound, developed quickly through recent gigging and rehearsals.

Ryley Walker has signed to AD 93 and released a new single titled "Carrier." The track marks a departure from his previous folk and art rock sound, incorporating digital distortion and loops inspired by computer musicians. Walker describes the song as a simple tune born from exhaustion and creativity.

Ugly have released "Nat Cora & The Nations," a new single from their upcoming debut album, "The South Facade." The band described the track as having undergone significant evolution, with multiple rewrites to achieve a sense of forward motion, lightness, and nocturnal mystique, influenced by XTC.

Dublin-based artist RÓIS has signed to Domino and announced a remastered edition of her 2024 album, MO LÉAN. The reissue, out November 20th, will feature a new track titled "PORT NA H-EALA." The article also details RÓIS's artistic vision for the album, drawing from Irish folk traditions and exploring themes of death and mourning.

Kim Deal has announced an upcoming live album titled 'Live at the Barbican,' capturing her 2025 orchestral performance at London's Barbican. The album will feature orchestrated renditions of songs from her solo debut 'Nobody Loves You More,' as well as tracks from The Breeders' back catalogue and earlier solo work. A companion live film directed by Cuan Roche will also accompany the release.

Greg Freeman has released "Loser's Prize," the final single from his upcoming album "All Set The Bone," due out this Friday. The track explores themes of love and change, following previous singles and preceding a North American and UK tour.

South London collective PARADE has announced their second mixtape, "Catchphrase," set for release on November 26th. The mixtape follows their 2025 debut "Lightning hit the Trees" and features lead singles "Foxtrot" and "I Shot Him." The collective aims to delve deeper with "Catchphrase," showcasing technical improvements and a stronger bond among its members.

Greg Freeman has released "Loser's Prize," the final single from his forthcoming album "All Set The Bone." The track explores themes of love and change, preceding the album's release and a North American and UK tour.

Bess Atwell has signed with Nettwerk and released a new single titled "The Act." The song explores themes of leaving home and starting anew, inspired by Atwell's experience moving to Quebec.

Vancouver noise-punk band PISS has released "blocking a scene you can’t remember," a new track from their upcoming debut album, "you made me / skin on linen." The song, which tackles themes of sexual abuse, is the second preview of the album and arrives with a music video. PISS also announced a North American tour following a recent UK/EU run.

Belfast artist and producer Martha Greer, under the project name Cosign, has announced her upcoming EP 'This Is What It Feels Like,' featuring the new single 'I Dance With Someone.' The EP, described as an introspective series of indie-electronic tracks, marks a step forward for Cosign and is set for release on November 6th via Our House Online.

Lime Garden has released their new single, "Moving Target," a track about the exhilarating rush of meeting someone new and surrendering to love, even with the knowledge that it might not last. The song was produced by Charlie Andrew and features a music video with Antony Szmierek.

Dev Lemons's second album, "hunting what we already killed," marks a shift towards alternative rock, exploring themes of souring relationships and emotional turmoil. The artist blends her signature uncanny, absurdist aesthetic with heavier sounds, offering a cathartic artistic outlet for themes of lingering resentment and eventual acceptance.

SQUARE festival has revealed the first wave of artists for its 2027 edition, featuring a diverse lineup including CHISARA, Anna Vis, Land Whales, and SGO. The festival, taking place January 27-30, 2027, in Braga, Portugal, will showcase a broad spectrum of genres and geographical origins.

Brooklyn indie rock band smush has announced their sophomore album, "i'll always wish,," due January 22, 2027, accompanied by the release of its lead single, "milkweed butterfly." The album explores themes of girlhood, grief, and lost innocence, inspired by vocalist Emily Borrowman's move from Vancouver to Brooklyn.

Sheherazaad has released "Pakeezah," a new single from her forthcoming debut album "Khudgarzi," due November 20. The single is accompanied by a Vincent Moon-directed live video and explores themes of purity culture.

Slipknot has announced a global stadium tour scheduled for summer 2027, kicking off at London's Wembley Stadium. The tour promises new stage production and a career-spanning setlist, with various supporting acts across different legs of the tour. The announcement also coincides with the release of their new single, "Arsenal".

Post-hardcore band Cursive has released "Wounded Animal," a new song from the "Who's Watching" horror movie soundtrack, which is also directed by vocalist Tim Kasher. The soundtrack, out October 30th, features Cursive on Side B and the fictional band Toxic Cock Syndrome, with guest musicians, on Side A.

Feist was inducted into the Canadian Songwriters Hall of Fame over the weekend at Massey Hall in Toronto. The ceremony featured speeches and musical tributes from notable artists, celebrating her influential solo career and work with Broken Social Scene.

Oakland-based artist ZETI (Margaret Stutt) will release a new EP titled "Zero" on October 2nd, with all proceeds going to support humanitarian aid in Gaza and legal defense for pro-Palestinian protesters. The EP, featuring unique instrumentation and Zen-inspired themes, aims to raise awareness and funds for critical causes.

Synth-pop legends Erasure have announced their 20th album, "Radio!! Radio!!," due March 12, 2027, alongside a UK and European arena tour. The album's lead single, "Wings Of Love," is out now, and the tour will feature Vince Clarke as musical director but not onstage.

Beyond The Music, a Manchester-based showcase and conference, is relocating to MediaCityUK and embracing the legacy of Factory Records, particularly its founder Tony Wilson. Co-founder Oliver Wilson aims to foster a future where art is treated as a human right, providing a platform for emerging artists and tackling industry issues with a focus on inclusivity and practical application.

This article profiles Ronja Jóhannsdóttir and her experimental music collective Spider Network, highlighting their role in redefining Iceland's music scene amidst venue closures and noise complaints. Both artists are pushing boundaries with their unique blend of electronic and noise music, fostering a supportive and inclusive community.

Fat Dog's second album, "Cancel Me (I'm Tired)", is a thrilling, carnivalesque, and often confusing album that boldly embraces grandeur, art pop, and social commentary with a genre-defying sound. Despite moments of respite with lighter tracks like "Snakes" and "Aliens", the album largely delivers the band's signature snarling, eardrum-rattling sound, ultimately leaving the reviewer happily baffled. The verdict is a positive, if somewhat disoriented, embrace of its ambitious chaos.

Johnny Marr discusses five "Personal Best" songs that define his career, touching on his new album "The Age of Everything" and his prolific output across various projects. The article highlights Marr's consistent creativity and his unique approach to music-making, often involving "three things at once."

Medium Build's Nick Carpenter discusses his new album "King of Having Fun," which centers on rediscovering childhood joy and embracing a sense of playfulness. Carpenter reflects on growing up and finding his way back to a more fun and authentic musical expression.

This article traces Miranda Lambert's remarkable career evolution from a scrappy country singer to a genre-bending artist who has achieved massive pop success. It explores her transition into making disco-influenced music and writing major pop hits, highlighting a significant career reinvention.

Scottish mezzo-soprano Beth Taylor makes a stellar debut with her album "The Deeps Have Music," following a significant Royal Opera House debut. The article positions her as a rapidly ascending talent poised for stardom.

This article celebrates minimalist composer Steve Reich on his 90th birthday, highlighting his profound and widespread influence across various music genres. It mentions his groundbreaking work and references conversations with him from 1999 and 1989.

NPR Music critic Rodney Carmichael reflects on recent events in rap culture, including a "hip-hop divorce," an OutKast lawsuit, and the current state of rap on the music charts. The article questions the value of ranking music when the genre is so diverse and complex.

Sheryl Crow discusses her transition away from actively chasing pop hits, finding liberation in her current career stage. She acknowledges aging out of mainstream pop but seems content with this evolution. Her latest album is titled "Pick You Up."

Mexican ska stalwarts Panteón Rococó delivered a vibrant Tiny Desk Concert, showcasing their ability to blend ska with cumbia and Afro-Caribbean rhythms. The performance highlighted the band's enduring energy and musical versatility over their three-decade career.

Tom Morello discusses his new solo rock album, "Everyone Gets Everything They Want," and its political themes. The article serves as a profile and interview, delving into the artist's motivations and the record's message.

Kenny Mason discusses his creative process and the pressures he faced, concluding that he thrives on the artistic fringes. The article highlights his journey of embracing his unique vision as an outlier in the music scene.

Tenor saxophonist Melissa Aldana and pianist Gonzalo Rubalcaba delivered a heartfelt performance at NPR's Tiny Desk Concert, interpreting classic Latin American songs. The duo's rendition showcased their deep musical connection and emotional depth, earning praise for their soulful collaboration.

A new compilation album titled "Contra-ICE Vol. 1: ICE OUT" has been released, featuring over 30 artists, including Kathleen Hanna, Fred Armisen, and Tom Morello. The album aims to create a historical and artistic record of the current moment while benefiting immigrant rights organizations.

Turnstile made their "Saturday Night Live" debut as the musical guest, marking the first hardcore band to do so in 45 years. The episode also featured a surprise appearance by Taylor Swift during the host's monologue, adding an unexpected crossover moment to the broadcast.

This retrospective review of Bowery Electric's 1996 album "Beat" praises its unique synthesis of shoegaze, ambient, and trip-hop, highlighting how the duo used electronic music's logic to create immersive, drone-heavy soundscapes. The album is lauded for its mood-driven, spacious compositions that capture a sense of urban ennui and isolation, making it a distinct and influential work.

This 49th anniversary box set edition of Elvis Costello's debut, 'My Aim Is True', is a comprehensive deep dive into the album's origins and Costello's early development. While the extensive 104-track collection including demos and live performances can feel overwhelming, it ultimately offers a fascinating look at the artist's transformation and the brilliance of his foundational work, making it a worthwhile, albeit niche, addition for dedicated fans.

Drake and Don Toliver reimagine Ella Langley's country hit "Choosin’ Texas" as "Solar Eclipse," a lounge-trap slow burn. The remix effectively transplants the original's themes into a more urban, hedonistic setting, offering a strong counterpoint to Drake's recent work and serving as a compelling post-summer anthem.

Fontaines D.C. has announced a sprawling 2027 North American tour, adding a significant number of dates to their already extensive world tour plans. The tour will feature support from Westside Cowboy and Iceage on various legs, as they continue to promote their upcoming album, "Dopamine Chamber."

Metallica launched their Las Vegas Sphere residency with a visually spectacular 18-song set, blending classics like "Battery" and "The Call of Ktulu" with material from their latest album. The band delivered a powerful performance, augmented by striking 3D graphics including a giant Cthulhu, earning praise for integrating modern technology with their signature sound.

Pitchfork's weekly roundup highlights ten new albums worth listening to, featuring releases from Greg Freeman, Quavo, B0YG1RL, and others. The selection spans diverse genres, offering a guide to significant new music across streaming services.

Drake has released four unreleased tracks on his album "Habibti (FOMO)", including a remix of "Choosin’ Texas" featuring Don Toliver now titled "Solar Eclipse." This release adds significantly to Drake's extensive output this year, which already includes multiple albums and music videos. Don Toliver also recently released his own album, "Octane."

This review celebrates the expansive "Super Deluxe" reissue of The Beatles' "Rubber Soul," highlighting its role as a pivotal artistic leap for the band and pop music itself. It praises the exhaustive package, which includes multiple versions and outtakes, ultimately affirming that "Rubber Soul" remains a profoundly great and influential album, with its many iterations contributing to its enduring legacy.

Miranda Lambert's latest album, "Crisco," is a polished, country-disco-infused record that, despite its lush sound and thoughtful arrangements, suffers from humdrum songwriting. While it showcases Lambert's vocal prowess and ability to inhabit different roles, the album ultimately feels too homogenous and lacks the personal crisis-driven energy of her previous work, leading to a verdict of "blah."

Stef Chura's latest album, "Dancing Alone on the Concrete," showcases her signature voice and a new sense of ambivalence, moving away from overt catharsis towards a more nuanced exploration of relationships and potential heartbreak. The album offers moments of surf-rock and playful synth-pop alongside wistful ballads, ultimately hinting at a lingering hope beneath its cool delivery.

Meernaa's "Methuselah" showcases Carly Bond's magnetic voice and expert band, navigating lyrical uncertainty with vintage soul spirit. While some moments lean towards cheesy sentiment, the album ultimately offers a focused and emotionally resonant listen, with standouts like "Time and Time Again" nearing the genre's greatest heights.

Talking Heads' 1979 album "Fear of Music" is receiving a "Super Deluxe Edition" release on November 13th. The expansive reissue includes a remastered version of the album, alternate tracks, studio outtakes, and previously unreleased live recordings from two 1979 concerts. It also features a Blu-Ray with footage from the band's appearance on BBC's "Old Grey Whistle Test."

The Austin City Limits Festival is returning for its 25th anniversary, with its first weekend set to be streamed live on Disney+ and Hulu. The festival will feature headliners such as Charli XCX, the xx, Lorde, Twenty One Pilots, and Skrillex, alongside a diverse lineup of other artists.

Yung Miami has officially announced her debut solo album, "Watch Dis," set for release on October 23rd. The album, which she stated she poured all her emotions and energy into, will feature artists like Quavo, G Herbo, and Lil Baby, and will include 20 songs.

The Rolling Stones' new video for "Mr. Charm" stars Alexander Skarsgård mimicking Mick Jagger's iconic moves in a backwoods diner setting. Directed by Henry Scholfield, the clip is described as fun, despite not reaching the heights of other notable Rolling Stones visual projects. The band's latest album, "Foreign Tongues," released in July, features contributions from various artists and includes late drummer Charlie Watts.

Lil Nas X has released "World's Greatest," his first new song of the year, accompanied by a six-minute video directed by Phillip Youmans. The video intercuts present-day footage with dramatized childhood scenes and is dedicated to his late mother, serving as a reflection on his personal journey and past legal troubles.

Carly Rae Jepsen has announced a North American tour for 2027 in support of her new double album, "Day and Night." The tour will feature 24 shows across April and May, including stops at Madison Square Garden and Red Rocks.

Rapper Rick Ross was arrested in Miami on charges of felony battery by strangulation and misdemeanor battery, both linked to domestic violence. The arrest follows public accusations of physical abuse by his ex-girlfriend, Jazzma Kendrick.

Audrey Hobert delivered a spirited performance of her song "Chateau" on Jimmy Kimmel Live, following up on her viral "Sue Me" appearance. The piece highlights her continued presence in late-night television and upcoming shows, mentioning her recent album and collaborations.

300SkullsAndCounting's debut album "THIS IS SPA TOWN!" offers a riotous blend of club-grime provocation and internet humor over glitched-out emo. While his portrayal of small-town malaise can be hit-or-miss, the album's unique recalibration and poignant aimlessness make it a compelling listen.

This reissue of Hallucinator's 1999 compilation "Landlocked" is a powerful testament to their unique take on dub techno. Expanding the genre with industrial, rave, and even jazz influences, their confrontational sound remains potent, earning them a place in dub techno's pantheon.

Tove Lo's sixth album, ESTRUS, explores the complex interplay between hedonistic pleasure and anxious vulnerability, blending familiar electro-pop with moments of synth-pop brilliance. While some tracks lean on past successes, the album truly shines when Lo confronts raw, unsexy emotions, particularly on standout tracks like "are we on a break," making it a compelling, albeit sometimes uneven, exploration of internal conflict.

On her latest album, "Bubble Treasure," Toxe largely abandons her club-centric sound for sparse, oceanic pop arrangements and synth instrumentals. While the album is a thoughtful exploration of new sonic territories, most tracks tease drops that never arrive, with "Cranberry Glass" being the standout exception.

The Tara Clerkin Trio has announced a 2027 North American tour, following their upcoming UK dates in support of their June album, Somewhere Good. The tour will span dates across the U.S. and Canada throughout January and early February.

Fontaines D.C. have released "Tongue," the second single from their upcoming album "Dopamine Chamber." The accompanying video features the band members filming themselves during a trip to New York, and guitarist Conor Curley describes the song as a continuation of their previous sound, incorporating tape manipulation and vocal distortion.

Mogwai has announced a new compilation album, "Happy Tears," featuring rarities and a new collaboration with Iggy Pop titled "Underground." The article details Pop's contribution to the track, exploring themes of artificial intelligence and modern loneliness, and includes quotes from both Braithwaite and Pop reflecting on their mutual admiration and the creative process.

David Sylvian is releasing a new instrumental album, "The Distance Between the Killer and the Killing," on February 27. The 46-minute LP compiles improvisational sessions recorded between 2012 and 2025, featuring collaborations with artists like Ryuichi Sakamoto. This marks his first proper new album since 2009's "Manafon."

The Flaming Lips are releasing a 20th-anniversary reissue of their 2006 album At War With the Mystics, featuring two live albums and dozens of rarities, including over 30 previously unreleased tracks. This expanded set offers demos, B-sides, alternate versions, and soundtrack contributions from the period, providing a deep dive into the album's creative history.

Mei Semones has announced her sophomore album "Howl," set for release on January 15th, which marks her first release under Verve/Interscope. Alongside the album announcement, Semones revealed a North American tour kicking off on February 24th.

Composer and organist Kali Malone has announced a U.S. tour for April 2027, coinciding with the release of her new single "My Eve My Dawn." This single precedes her upcoming solo album, "Burning Song," due October 30 via Ideologic Organ.

Tinashe's eighth album, "Popstar," is hailed as her best and bravest yet, delivering an ambitious, focused, and zeitgeist-capturing pop meta-narrative. The album is praised for its rhythmic sensibility, accessibility, avant-garde touches, and recognizably Tinashe sound, making it the best pop album of the year.

Jhené Aiko's "Westside Whimsy" attempts a laid-back ode to Los Angeles, but the album often prioritizes sunny vibes over lyrical substance. While moments of emotional depth and specificity shine through, particularly on tracks like "Nothing Nice to Say," much of the album suffers from musical and emotional glossiness that keeps the listener at a distance, resulting in pleasant but often interchangeable songs.

megiapa's "Intentions" is a debut on International Anthem that masterfully blends R&B, jazz, and electronic music into lovestruck, yet grounded, reveries. The album balances cosmic explorations with moments of introspection, ultimately celebrating the magic of the present.

Empress Of's fifth album, Dream House, grapples with the grief of losing a childhood home but ultimately smothers its eccentric perspective, resulting in undercooked sketches that lack the sharp production and urgency of her previous work. The album's virtuosic vocals are present but feel like a supporting character, denying the listener the glimpses of greatness they expect from the artist.

ki's latest track "tissue" is an experimental piece that combines fragmented vocals with a beat, drawing comparisons to underground sing-rap artists. Despite its subdued and mushy qualities, the song is praised for its refreshing earnestness in processing personal feelings through vocal manipulation, making it a recommended listen despite potential mockery.

Angèle has released a new single titled "Love Triangle" featuring Caroline Polachek and produced by SebastiAn. The song, which premiered on BBC Radio 1, is a preview of Angèle's upcoming album "Instinct," her first LP since 2022's "Nonante-Cinq."

Brakence has announced his new album 'Marrow,' set for release on October 23rd via Columbia. This marks his first full-length release since 'Hypochondriac' in 2022, and it includes the first single "Ready or Not."

Megan Thee Stallion has released her first single of the year, "Tina Tuesday Freestyle," which signals the start of her "Act III" era and fulfills her promise to reintroduce her alter ego, Tina Snow. The album, "Act III," is slated for a 2026 release and follows "Megan: Act II," with the artist taking her time to ensure a well-crafted record.

Father John Misty has released a new single, "The X-panded Universe," which some speculate touches on themes of the MCU. This release coincides with the announcement of a solo West Coast tour, his first without a full band in over a decade.

Kim Deal is releasing a live album titled "Live at the Barbican," documenting her 2025 orchestral performance in London. The album will be accompanied by a concert film directed by Cuán Roche, and the tracklist includes songs from her solo career and The Breeders.

This article profiles J Mascis of Dinosaur Jr. during a vacation, delving into the band's 40-year history, their notoriously difficult interpersonal dynamics, and Mascis's unique approach to music and fame. Despite the persistent friction between Mascis, Lou Barlow, and Murph, the band has surprisingly redoubled its legacy with recent compelling records, defying expectations of a lasting collaboration.

Ryley Walker has announced his signing to AD 93 and released his first new song in five years, titled "Carrier." The track serves as his first release since his 2021 album "Course in Fable."

Taylor Swift's new four-song addition to "The Life of a Showgirl," titled "The Encore," fails to impress, with new tracks like "Cleveland!" representing a nadir in her catalog. While Swift's songwriting legacy remains undeniable, her recent work, including these new songs, feels drained of depth and meaning, signaling a downward trajectory that leaves the author no longer anticipating her future releases with bated breath.

Julia Jacklin's fourth album, "The Gem," finds the singer-songwriter embracing change and gaining a new perspective, filling her typically anxiety-laden songs with more poignant imagery and a sense of surrender. While still exploring internal struggles, the album offers a newfound warmth and a willingness to contextualize personal difficulties within a larger world. It's a compelling evolution for Jacklin.

Ty Segall's latest album, "Chrome," marks a deliberate return to his early, primal garage rock sound, but filtered through the sophisticated craftsmanship he's honed over the past decade. While revisiting his core strengths of balancing fuzzy riffs with catchy melodies, the album functions more as a considered reinterpretation than a simple throwback, showcasing Segall's evolved songwriting.

Jules Reidy's "Clerestory" is an album that refracts harmonic exercises through various lenses, pushing microtonal language in unexpected directions. While some formal explorations on "Windows V" puzzle more than they immerse, the album ultimately acquaints the listener with their own perspective through its glass-encased studies.

This article reviews Tinashe's new album "Popstar" and its title track. The author praises "Popstar" the song as the album's "lighters-up climax," highlighting its detailed verses, efficient production, and Tinashe's skillful vocal performance. The verdict is highly positive, with the song delivering "movie magic."

Pitchfork Music Festival CDMX 2026 delivered a diverse lineup, showcasing standout moments from artists like Lido Pimienta, Safety Trance, American Football, Perfume Genius, and EQ. The festival successfully blended various genres and cultural influences, mirroring the vibrant spirit of Mexico City with performances that ranged from joyous and confrontational to intricately emotional and theatrical.

Pitchfork's weekly "Pitchfork Selects" playlist highlights new songs the staff is listening to obsessively, serving as a curated grab-bag of tracks worth sharing with friends. This week's edition features artists like Lily Konigsberg, Krill, and Jane Remover.

Taylor Swift has premiered the music video for her "The Life of a Showgirl: The Encore" track "Patient Zero" at the 2026 Video Music Awards. The video features Dakota Johnson and Colin Farrell and centers on a haunting narrative, coinciding with Swift receiving the inaugural Artist Director Honors.

Stevie Wonder is releasing an EP of four previously unreleased songs from the extensive sessions of his 1976 album, "Songs in the Key of Life." These tracks, chosen by Wonder himself, offer a new glimpse into the creative process of the seminal work and are being released alongside an anniversary tour.

The "Power To The People" festival, headlined by Bruce Springsteen and organized by Tom Morello, featured a wide array of guest musicians covering protest songs and classic rock anthems. The event also highlighted political statements, notably Morello's revelation he did not vote for Kamala Harris. The festival aimed to support civic engagement and social justice organizations.

Turnstile made their "Saturday Night Live" debut, becoming the first hardcore band to do so since Fear 45 years ago. They performed "Birds" and an "I CARE"/"DULL" medley, showcasing an energetic performance that included impressive stage spins and drum solos. Taylor Swift made a surprise cameo during the show's closing.

Mike Patton's project Mondo Cane made its Mexico debut as part of Festival Internacional Cervantino, featuring a surprise collaboration with Mariachi Gama 1000. Patton performed traditional Mexican songs and a Mr. Bungle track with the mariachi band, honoring the legacy of Juan Gabriel.

Troye Sivan made a surprise appearance at Austin City Limits, joining Charli XCX to perform two songs, including an unreleased track from his upcoming album. The event highlighted their recent collaboration and shared history on tour.

Dave Grohl made a surprise appearance with AC/DC during their Power Up tour stop in New Jersey, joining the legendary band to perform "Highway To Hell." The Foo Fighters frontman shared his childhood awe of seeing AC/DC live, highlighting the rare nature of such a guest performance.

Country star Zach Bryan wore a "Free Palestine" shirt during his concert at Robert Kraft's Gillette Stadium, following Macklemore's previous removal from Ed Sheeran's tour for similar activism. The move is seen as a powerful statement by artists against silencing.

French Oi band Squelette returns with their new EP "Soir d'Orage," offering a cool, atmospheric take on the street-punk style with goth and post-punk influences. The EP is described as punchy fight music with new wave melodies, culminating in a haunted instrumental track, making it a recommended soundtrack for a "drunken brawl in any catacombs."

Bonnie "Prince" Billy and the improvisational quartet Linus are releasing a tribute album to the Dutch singer-songwriter Jules de Corte, titled "The Outsider: The Music Of Jules de Corte." The article shares three preview tracks, noting they largely sound like typical Bonnie "Prince" Billy songs with added jazz elements, described as "pretty."

Shane Parish has surprise-released a new album, "Dental Work To Pay For His Dental Work," conceived to cover unexpected medical expenses. The album features percussive, cyclical instrumentals made with a loop pedal, drawing comparisons to his previous works and duo projects. It's a cohesive collection born out of necessity, offering a familiar sensibility to fans.

Silk Fence, a new instrumental trio featuring members from Guerilla Toss, SML, and PC Worship, has released their self-titled debut album. The record offers four lengthy tracks characterized by atmospherics, repetition, and experimental soundscapes, blending elements of post-rock and kraut-jazz.

Marissa Nadler and Stephen Brodsky, under their Droneflower moniker, have released a new two-song single featuring "Sky Burial" and "Drive It In." Nadler leads the former with Brodsky contributing guitar, while Brodsky takes vocals on the latter, which is noted for its Father John Misty-esque sound. A second Droneflower album is reportedly in the works.

This roundup highlights the five best new songs of the week, showcasing a diverse range of artists and styles. The selections span from roots-rock infused grunge to literary lounge lizard persona, with each track offering a unique emotional and sonic experience.

Philly garage-punk band Gripper has announced their debut album, "Another Night Of Fun On Me," due next year. The article highlights two preview tracks, "Miss Behave" and "Other Bastard," which showcase their urgent sound and are enthusiastically recommended. The publication also shares the album's tracklist and upcoming tour dates.

Alex Lahey has released a new EP, "Garage Sale [Vol. 1]," featuring previously unreleased songs. Lahey explains that these are beloved tracks that never found a proper release, and she is glad they can now be heard by fans.

K-pop groups BTS and Stray Kids are reportedly boycotting the upcoming Grammy Awards, citing concerns over the newly introduced "Best Asian Pop Music Performance" category. While BTS made a public statement about not wanting music divided by region or language, Stray Kids simply did not submit entries, with their management company confirming their non-participation. The Recording Academy defended the new category, despite acknowledging mixed feedback from the Asian music community.

Ryan Hemsworth has released a new single, "Never Learned," featuring Tegan and Sara, which showcases a surprisingly aggressive emo/metalcore sound. The track is a positive departure from Hemsworth's usual style, with both artists expressing enthusiasm for the collaboration and its energetic outcome.

DIIV's new single "Trillions" from their upcoming album ZIRP! is a heavily Auto-Tuned computer-pop track that genuinely rules, even if its intentions are muddy. The article highlights the band's flirtation with pop, their collaboration with A. G. Cook, and the song's lyrical themes of financial success within the context of the modern music industry.

King Hüsky, the solo project of Kvelertak guitarist Vidar Landa, offers a softer, poppier rendition of Silver Jews' "Punks In The Beerlight." While Landa captures Berman's lyrics, the cover exchanges the original's raw urgency for a more chill, Kings Of Convience-esque vibe.

Secrecy, a London-based punk band with a propulsive, dark sound, has announced their debut EP, "Winter In A&E." The EP, produced by members of High Vis, will feature the single "Knife In My Dreams," which showcases the band's atmospheric hardcore and gothic influences.

This Q&A with Way Dynamic's Dylan Young delves into the creation and philosophy behind his latest album, 'Massive Shoe.' Young discusses his approach to songwriting, production with Stefan Blair, and his evolving creative process, emphasizing a desire for authenticity and controlled spontaneity. The article highlights the album's unexpected success and the band's growing presence in the indie music scene.

brakence has announced his upcoming album "marroW", set for release on October 23rd. The article highlights two new singles, "crystallized" and "death rolL", praising their genre-bending sound and impressive production, songwriting, and performance.

The Rolling Stones have released "Bad Luck Hideaway," a bonus track recorded with the late Charlie Watts, as a digital single. Additionally, the band has shared a music video for "Mr. Charm" that stars Alexander Skarsgård.

Fog Lake, the project of Aaron Powell, has announced their seventh album, "Hollowbody," set for release next month. The announcement comes with the release of the new single "Bogus," which features Powell's delicate vocals, acoustic strums, and a bristling guitar solo, exploring themes of bad luck and fragmented relationships.

Bucket returns with their new single "Strung Out," an "enraged and venomous" track that the publication deems great. The song explores complex national identity issues in Ireland, inspired by the global rise of Irish culture.

Bill Withers' publishers have filed a copyright infringement lawsuit against Olivia Dean and her record labels, alleging that her song "I've Seen It" copies elements of Withers' hit "Just The Two Of Us." The lawsuit claims the musical similarities are striking and that the defendants failed to change song credits after being notified of the alleged infringement. The article presents the legal claims and invites listeners to compare the two songs.

Metallica launched their "Life Burns Faster" residency at the Sphere in Las Vegas, marking the first time a metal band has performed at the venue. The opening night's setlist included several songs not played live in years, notably "...And Justice For All" which hadn't been performed since 2014.

Ogbert The Nerd returns with their first new music since 2024, the single "Stapler." The track features the band's signature melodramatic screaming, noodling guitars, and an anxious breakdown, with evocative lyrics and a satisfying "OOH" to close.

Lee Ranaldo provided an update on the long-awaited André 3000 album, describing it as a "balls to the wall" quintet record that will surprise fans. While the release date is uncertain, Ranaldo expressed his love for the project and anticipates it will come out on Yonatan Gat's Stone Tapes label.

Tyler, The Creator claimed his feature on Quavo's new album "QRÖMELIFE" is one of the best in rap history. The article acknowledges Tyler's boast and discusses his verse on the track "Baby Breath," ultimately deeming it good but not exceptional, and possibly a joke.

Dakota Johnson and the hardcore band Turnstile are featured in new Saturday Night Live promo clips, showcasing comedic interactions. The article also touches on Johnson's appearances on "Late Night With Seth Meyers" and her involvement with Taylor Swift's music video.

Prevention, a righteous straight-edge hardcore band from Springfield, Illinois, has announced their debut album, "And Nothing's Mine," due out October 30th. The album is preceded by the single "Tell Yourself," a 73-second burst of indignant fury that showcases their fast, passionate old-school youth crew style.

Philip Frobos of Omni has released solo covers of "Waxwing" by Sorry and "Kawasaki" by Jane Birkin. Frobos discusses his personal connection to both songs, highlighting their themes of dark humor, dystopian outlook, societal rejection, apathy, and nihilism.

Anna Domino's influential 1984 mini-album "East And West" is receiving a reissue from Domino, featuring newly digitized demos and the previously unreleased track "Happy To Go." The release highlights Domino's enduring impact, with numerous contemporary artists citing her as an influence.

A St. Louis man named Michael Goessling recently discovered that his biological father is the famous yacht rock singer Michael McDonald. Goessling, who was adopted as an infant, learned about his paternity through a 23andMe test that connected him with his half-brother, eventually leading to a phone call and in-person meeting with McDonald.

Radio Free Alice have released a new jangling indie rock single, "Big Ideas," featuring lovely counterpoint vocals from Rachel Brown of Water From Your Eyes. The song, which emerged from a creative lull, is the latest preview from their upcoming debut album, "What's In Between."

Four singer-songwriters have formed a new supergroup called Tommy, featuring Courtney Marie Andrews, Cornelia Murr, Lola Kirke, and Katie Pearlman. The group played their first live show in Nashville and was inspired by '80s folk music. While no music has been released yet, the article anticipates forthcoming releases.

Peter Gabriel has announced the release date and details for his upcoming album "o\i". The album, set for release on November 27th, features a unique rollout strategy of releasing singles for each full moon, accompanied by different mixes and visual art. Gabriel discusses the album's themes of transition and humanity's connection to nature.

Shady Bug's new single "seed" is a frantic and emotionally resonant track that captures the lasting impact of fleeting presences. The song begins with discordant energy and builds to moments of clarity, with Hannah Rainey's vocals expressing a sense of unease and realization.

Hudson Freeman is set to release his new album "Doom Country" on November 6th, following up his previous work "Is A Folk Artist." The article highlights the new single "Fell Ass Backwards," a duet with his wife Sophie Brown, and describes it as an excellent slice of noisy, glittering, post-Alex G indie rock. The piece also touches on Freeman's background and previous viral success.

Saturday Night Live's "Weekend Update" segment featured a cut-for-time sketch roasting "Stella Lefty," a fictional singer accused of plagiarizing popular songs. The sketch, showcasing comedian Veronika Slowikowska, humorously highlights Lefty's perceived lack of originality. Lefty herself seemed to take the roast in good humor, sharing it on her social media.

Conrad "Cronos" Lant, the longtime singer and bassist for the influential metal band Venom, has died at the age of 63. Venom's music, particularly their 1982 album "Black Metal," was foundational to the development of black metal and death metal genres, and influenced numerous underground metal bands. Lant was the band's frontman, longest-tenured member, and also designed their iconic logo and cover art.

Lil Nas X has returned to music with a new single and video titled "World's Greatest!" after facing personal struggles and legal issues. The upbeat, pan-genre pop song, inspired by his mother's favorite phrase, marks his return to creative freedom and optimism.

The Smashing Pumpkins kicked off their "Rats In A Cage Tour" celebrating the 30th anniversary of "Mellon Collie And The Infinite Sadness." The opening night in Columbus featured a massive 32-song setlist, including numerous rarities and live debuts from their extensive catalog, particularly from the "Mellon Collie" album.

Willi Carlisle's new single "Gas Station" is a fun, Southern-fried road-trip anthem, enhanced by a whimsical Muppet-filled music video. The article details the song's co-writing process with Tyler Childers, highlighting its honest and direct feel, and suggests it captures the wild spirit of Carlisle's upcoming album, "The Universal Bubba."

CMAT made a TV appearance on The Daily Show, performing her song "Euro-Country" and discussing its roots. She also offered a nuanced take on Ed Sheeran's recent controversies, expressing sympathy while criticizing the surrounding industry practices.

Rapper Rick Ross was arrested early this morning on felony domestic violence charges, including battery by strangulation and general battery. The arrest follows accusations of physical abuse made by his former girlfriend, model Jazzma Kendrick, last week.

Stereogum is once again presenting the record release show for indie band Grumpy's upcoming album "Unfindable Ring." The event will take place on November 14th at a wrestling ring in Brooklyn and will feature performances by Grumpy, Public Circuit, and mer marcum.

THICK returns with their biting new single "Heavy Metal," tackling societal inequities and systemic issues faced by women. The track is a powerful statement piece that, despite the grim subject matter, offers a glimmer of hope with the band's re-emergence.

Musician Yasmin Williams is actively booking shows at the Kennedy Center's Millenium Stage, despite past political turmoil and threats to the institution. She encourages attendance to support free, high-quality performances and artists amidst ongoing challenges to the Center's existence.

Kelly Clarkson, appearing on "Las Culturistas," expressed her love for AI in music but argued that "AI artists" should compete on separate charts from humans to maintain fairness. While acknowledging AI's creative potential, she likened the competition to robots in the Olympics, emphasizing the importance of the human element and regulation. The article also touches on Billboard's evolving policies and concerns raised by other media outlets.

Pillow Queens have returned with their new single "Kiss Kiss," a track that blends rough guitars with shimmering keyboards, exploring themes of volatile desire and chaotic love. The song is described as a dreamlike surrender to passion despite recognizing the risks involved. This release follows their 2024 album "Name Your Sorrow" and their transition to a trio.

Cult Crime, a four-piece evolved from a solo project, is set to release their sophomore LP "Fully Automatic" on October 30th. The album promises a grimy and reckless rock 'n' roll attack, with the first two shared tracks "Final Dose" and "Just Like A Knife" drawing comparisons to the Ramones and Dead Boys.

mercury returns with "Roar Of The Heliac Goat," a powerful new single that delves into themes of lasting pain. The track features despondent riffs and hypnotic vocals, building on the promise of her previous grunge epic "Heaven." The article highlights the song's production and accompanying music video, positioning it as another compelling release from the artist.

Cosmic Joke has announced their new album "Suburban Decay," set for release in November. The article highlights the lead single "No Threat," praising its pop-punk infused hardcore sound with influences from '80s SoCal bands, and its energetic, bass-driven structure.

Peaches has remixed her 2000 hit "Fuck The Pain Away" for the new "Clive Barker's Hellraiser: Revival" game. The remix, produced by Steve Molitz, reframes the song within the darker "Hellraiser" universe, with Pinhead narrator Doug Bradley contributing. Peaches expresses excitement about this new iteration of her iconic track.

LCD Soundsystem has announced their 100th NYC residency show as part of a holiday season residency at Knockdown Center and Brooklyn Steel. Additionally, guitarist Al Doyle is releasing his debut solo album, "Hollywood Saviour," on DFA this fall, featuring the single "Hard Times In America."

Adéla's "American Dreampop" is presented as a significant pop release from KA, a group whose history is marked by the inevitable struggles and eventual dissolution common to girl groups. The article highlights the group's journey through the challenges of pop stardom.

Jess Williamson is promoting her upcoming album "A Mile South Of Heaven" by adopting a two-mile stretch of highway near Marfa, Texas, which inspired the record. She describes this as an unofficial "Mile South of Heaven" and a place where she tested her new music during the creative process.

David Sylvian has announced a new album, "The Distance Between The Killer And The Killing," set for release in February 2027. The album is a single 46-minute instrumental piece derived from improvisational sessions recorded between 2012 and 2025, featuring contributions from various artists.

The Flaming Lips are releasing a massive 20th-anniversary deluxe edition of their 2006 album, 'At War With The Mystics.' The reissue will feature six discs packed with rarities, previously unreleased tracks, demos, B-sides, remixes, and live recordings.

Kalia Vandever and Dave Harrington have announced their collaborative album "Evergreen," set for release on November 13th. The album features a lead single, "The Chase," which is available for listening. This news follows Vandever's recent solo album "Mana" and Harrington's collaborative work with Tim Mislock.

This article celebrates the 10th anniversary of Bon Iver's "22, A Million," exploring its radical sonic departure from previous works and the personal turmoil that inspired it. The piece highlights the album's innovative use of electronics, vocal manipulation, and symbolic imagery, ultimately deeming it a staggering and enduring triumph that continues to sound "new." The verdict is overwhelmingly positive, viewing the album as a masterful evolution despite its challenging themes.

Chastity Belt has announced their new album, "All My Friends," set for release on November 6th via Suicide Squeeze. The album will feature previously released tracks like "I Could Say Less" and "Pavement," alongside two new singles, "To Decide" and "Designs," which are described as hazy, bittersweet, and melancholic. The band's latest LP was recorded across multiple sessions and locations, reflecting a sharp camaraderie despite members being spread out.

Fontaines D.C. have released "Tongue," the second single from their upcoming album "Dopamine Chamber." The track is a slow-rolling, trip-hop-influenced song featuring vocal manipulation and a heavy bassline, earning positive marks from the publication.

Mogwai has released "Underground," a new collaboration with Iggy Pop, which will be featured on their upcoming career-spanning compilation, Happy Tears. The track is a dramatic churn that highlights Iggy Pop's distinctive drawl, with Pop noting the song captures a sense of modern loneliness and anger.

R.E.M. has announced a 25th-anniversary deluxe edition of their 2001 album, "Reveal." The reissue will feature the original album in high-resolution audio and surround sound, along with a previously unreleased live recording from Radio France and bonus visual content. This release comes amid ongoing discussions about the band's legacy and their place in contemporary music.

Synthpop duo 50/50, who released only two singles in the early '80s, are finally having an archival album of their unreleased material released by Light In The Attic. The album, "Memories Linger," features 12 tracks, nine of which have never been heard before, and the lead single of the same name is described as a warm, bouncy, and ultra-catchy synthpop track.

Berlin-based hyperpop artist horsegiirL has announced her new EP, HARDCORE HEALING, a club-focused companion to her debut album. The lead single, "c*ntry girl rock" featuring Dylan Brady, is a fun, silly, and energetic dancefloor anthem with a country music sample.

Emma Ogier is announcing her debut album, "Fly 1111," set for release on November 11th via Lost Highway. The article highlights the album's lead single, "Hands Tied," describing it as a rough, riff-centric track with big hooks. It also details Ogier's musical background, recent singles, and upcoming tour dates.

Pusha T made a surprise appearance with Gorillaz at Madison Square Garden, reuniting to perform their 2017 track "Let Me Out" for the first time in nine years. The performance was backed by the Harlem Gospel Choir, marking a significant moment for fans of the collaboration.

Mei Semones has announced her new album "Howl," due January 15th, and shared its theatrical, werewolf-themed title track and music video. The album marks her debut on Verve/Interscope, a significant step up from her previous label home.

Brooklyn shoegazers Crate have announced their self-titled debut album, set for release on November 13th. The article highlights the album's lead single, "Not My Song (Mine To Keep)," praising its slow-motion meditation, tingly guitar line, and lush harmonies, with band member Cody Hudgins sharing personal insights into its lyrical and musical development. The album will feature previously released singles "Julia" and "Necklace."

Megan Thee Stallion drops "Tina Tuesday Freestyle," a taste of her upcoming "Act III." The track revives her Tina Snow persona and features her delivering sharp bars, with the article noting she sounds better than ever.

The article introduces PISS, a Vancouver noise-rock band, highlighting their new single "blocking a scene you can’t remember" ahead of their debut album "you made me / skin on linen." The track is described as heavy and meditative, featuring a powerful spoken-word monologue from bandleader Taylor Zantingh.

SOAK has announced their new album, "decembers," set to release on December 4th via Rough Trade. The Irish singer-songwriter Bridie Monds-Watson shared the poignant title track, which explores themes of forgiveness and leaning into the rest of one's life.

Power Snatch, the side project of Hayley Williams and Daniel James, has released a cover of "Spit" by mark william lewis. The article highlights the contrast between Power Snatch's "big, bright, immersive" take and Lewis' original "spindly, brooding, slow-building" version, noting it will appear on the deluxe edition of Lewis' debut album.

Death From Above 1979 has announced their new album "Private Lives," set for release on January 29, 2027, along with an extensive North American tour. The band shared the title track "Private Lives," which they describe as a declaration of privacy and a "ripping rock song with maniacal riffs."

Prog legend Rick Wakeman performed a private concert on a Yamaha grand piano for 150 rescued moon bears at a sanctuary in Vietnam. Wakeman, a proponent of animal rights who has sponsored rescued bears for years, aimed to bring attention to their plight, and the bears appeared to enjoy the melodic music.

Billy Joel has announced a 50th-anniversary edition of his 1976 album "Turnstiles," featuring 54 previously unreleased tracks. This extensive reissue includes live concert footage, unreleased live albums, demos, and early versions of songs, with one track seeing its first official release. The announcement also touches on Joel's recent health and business endeavors.

TV On The Radio performed their classic hit "Wolf Like Me" on Jimmy Kimmel Live!, bringing the same passion and ferocity as their iconic 2006 Letterman appearance. This performance follows a resurgence in the song's popularity, driven by its inclusion in the new Spider-Man movie and a viral TikTok moment, introducing it to a new generation.

Lime Garden returns with the charismatic danceable indie rock single "Moving Target," showcasing their sophisticated yet party-ready sound. The song is a compelling follow-up to their well-received sophomore album, "Maybe Not Tonight," and coincides with their upcoming international tour dates.

A Perfect Circle has released a new single, "To Whom It May Concern," from their current rock radio hit "Starless." The song features their signature gothy guitar-twinkles and booming drums, with an overall sense of polished grandeur. The band has also announced a North American tour for next spring, with Puscifer and the Cult joining for some dates.

This article reflects on the enduring legacy and personal significance of Saint Vitus Bar, a prominent metal venue in Brooklyn. The author recounts how the bar became an integral part of their life in New York City, highlighting its reputation as a premier metal destination.

Disfear will release their final album, 'The Last Nail,' which was recorded before the deaths of members Tomas Lindberg and Marcus Andersson. The article highlights the band's history and the emotional weight of this posthumous release, praising the new single "Early Graves" as energetic and reminiscent of their classic sound.

Mia Joy returns with "Comet," a lovely, dreamy collaboration with Peel Dream Magazine. The track is a slow, twinkly blissout that sounds reminiscent of Stereolab and The Sundays, and it marks the musician's first new music since her 2023 EP Celestial Mirror. Joe Stevens of Peel Dream Magazine expresses happiness with the organic creation process and the warm, nostalgic final product.

Victoryland, a project featuring members of Blood and Billboard Style, has signed with Dead Oceans and will release a deluxe edition of their debut album, "My Heart Is A Room With No Cameras In It." The announcement is accompanied by a new bonus track, "The Ugliest Girl On The Beach," which is praised as a strong example of post-Cure alternative rock.

Michael Shannon and Jason Narducy are embarking on their annual tradition of touring and covering a classic R.E.M. album, this time celebrating the 40th anniversary of "Document." The tour will feature an expanded band and will hit various cities, including a few new stops and R.E.M.'s hometown of Athens, Georgia.

This piece highlights Greg Freeman's latest album, "All Set The Bone," as the "Album Of The Week." The article praises the project's sonic exploration and cohesive atmosphere, marking it as a significant release.

Father John Misty has released a new apocalyptic, Beatles-esque single titled "The X-panded Universe." The track, which finds Josh Tillman reckoning with his religious heritage, is described as sounding glorious and building to full splendor, likely to put listeners in their feelings. Tillman has also announced a solo tour for December.

The Strokes' guitarist Nick Valensi made a surprise appearance at Jack White's Hollywood Palladium show, joining White for two songs. This crossover event between two prominent early-2000s rock revival bands highlights their long-standing relationship and Valensi's temporary absence from The Strokes.

Ryley Walker has released a new solo track titled "Carrier," his first on the label AD 93. The song is described as a simple tune built from digital distortion and a refried, pitched-down loop of an old guitar demo, inspired by Walker's thoughts on people from his hometown. The track is accompanied by a video directed by Kendra Calhoun.

Steve Lacy launched his "Oh Yeah?" tour in Minneapolis, surprising fans with a cover of The Smiths' "This Night Has Opened My Eyes." The article highlights Lacy's performance and the context of the original track within The Smiths' discography.

Bono of U2 explains the inspiration behind their new song "The Mirror Maker (Rosalía)" on their upcoming album "Carnaval de Luz." He describes Rosalía as an extraordinary artist who has inspired him, and he sought her permission to write the song, eventually receiving encouragement from her and her friend Penélope Cruz.

Stevie Wonder has released four previously unreleased songs from the 'Songs In The Key Of Life' sessions to celebrate the album's 50th anniversary. These tracks, compiled as 'Songs In The Key Of Life: The EP', are described as sounding as if they've always existed and are far from typical outtakes.

Pearl Jam has shared a statement clarifying that Abe Laboriel Jr. is currently "sitting in" on drums for the band, rather than being an official replacement for Matt Cameron. The statement came after Eddie Vedder's set at Ohana Fest, which featured Laboriel Jr. on drums and led some to believe he was the new permanent member. Vedder also performed with several other artists at the festival, including Pixies, Bad Religion, and Billy Strings.

Smush have announced their sophomore album "i'll always wish,," due early next year, sharing the spiky new single "milkweed butterfly." The track is a compelling blend of grungy guitars, energetic drums, and a unique drum-and-bass beat, exploring themes of anxiety and immigration. The article praises the band's ability to create an "explosive chemical reaction" with their genre-bending sound.

DIIV performed at Balaclava Fest in São Paulo, Brazil, where they debuted tracks from their upcoming A. G. Cook-produced album ZIRP!, including "Dare Me," "My Star," and "Trillions." The band also delivered an electrifying cover of Charli XCX's "Playboy Bunny."

Dazy releases the new single "Ugly," a scratchy and playful track that evokes the late '90s with its gauzy guitars and cosmic melodies. This single is part of an upcoming compilation album, "MAXIMUMBLASTSUPERLOUD Vol. 2: 24 Songs From 2023-2026," which will include both previously released material and new songs.

Nu-metal veterans Slipknot have announced their "(sic)est Stadium Tour" for summer 2027, which will span North America, South America, and a single UK date at Wembley Stadium. The band has undergone several lineup changes recently but continues to draw large crowds, with a rotating cast of support acts including Marilyn Manson, Bring Me The Horizon, and Lamb Of God.

Cursive has released a new song, "Wounded Animal," from the soundtrack of Tim Kasher's directorial debut film, "Who's Watching." The track sounds like classic Cursive and incorporates instrumental themes from the movie score, marking their first release since 2024's "Devourer."

Argentine duo Ca7riel & Paco Amoroso have gone viral for their unique mashup of Spice Girls' "Wannabe" and Focus' "Hocus Pocus" on BBC Radio 1 Live Lounge. The performance features surprising vocal range, including yodeling, and has garnered significant attention.

Erasure has announced their 20th album, "Radio!! Radio!!", due out in March, and shared its lead single, "Wings Of Love". The new single is noted for a world-weariness not typically associated with the duo, but it fits them well.

The Olivia Tremor Control's new single "Timewaster" showcases their continued ability to craft charming, mystique-filled psych-pop, maintaining the standard set by earlier singles from their upcoming double album, "The Same Place." The track features a lush arrangement and a powerful groove, demonstrating the band's enduring brilliance.

PinkPantheress has achieved a significant milestone by winning her first MTV Video Music Award for Best Art Direction for the "Stateside" remix. Additionally, she has contributed a remix to Tinashe's latest album "Popstar," tackling the deep cut "Twentyfive Eight."

Fiddlehead played two notable shows recently: headlining a large festival in Maine where Lou Barlow joined them onstage, and a highly attended pop-up gig at Boston's Alewife Station. The article highlights the band's engaging live performances and the genuine excitement surrounding their music.

This article is a review of Harry Styles' "As It Was," critiquing its perceived blandness and lack of impact despite its massive chart success. The author finds the song forgettable and underwhelming, especially when compared to other major hits of the era, ultimately giving it a lukewarm rating.

Tinashe's latest album, Popstar, is a chaotic yet fun and curious creative endeavor that sees her blending a wide array of influences. While the album's disjointed flow and sometimes half-baked tracks are a curse, its bold experimentation and Tinashe's willingness to follow her artistic impulses make it a highlight of 2026. The verdict is a light-to-decent 8.

Protomartyr's latest album, "Hotel Usona," is lauded as their best-produced and most intricately arranged work to date. Despite some minor stumbles in track progression, the album successfully balances menacing and beautiful moments, tackling political and conceptual themes with nuanced lyrics and cinematic scope. The verdict is a light eight out of ten.

beabadoobee's 'Pylon' marks a significant stylistic shift towards grittier, darker territory, drawing inspiration from midwest emo, alternative metal, and post-hardcore. While the album successfully conveys raw emotion and growing pains through its instrumentation and vocal delivery, the guest reviewer notes that it could have pushed further into experimentalism, ultimately giving it a "light seven" out of ten.

This review of Lucy Bedroque's album "c" finds it to be a dense, synth-driven project that, while showcasing some unique textures and songwriting moments, ultimately feels less adventurous and more average than their previous mixtape "Unmusique." The album doesn't quite stand out among its contemporaries and feels like a missed opportunity for bolder experimentation.

This article is an interview with pioneering minimalist composer Steve Reich as he turns 90, offering ten points of entry into his extensive back catalogue. It highlights his profound and far-reaching influence on contemporary music across various genres, from classical to electronic and pop, underscoring his status as a foundational figure in process and phase music.

Talking Heads' 1979 album 'Fear Of Music' is being reissued as a super deluxe edition. This comprehensive reissue will include remastered audio, previously unreleased live recordings, rarities, and extensive film footage.

Marie Davidson and Pearson Sound have released a new collaboration titled 'Heat'. The track, inspired by EBM and slower tempos, is the first time the two artists have worked together and is released via Pearson Sound with additional mixes.

In this interview, Vision Fortune members A.C. Williams and Alex Townend discuss their decade-long hiatus and return with their new album, "III." They emphasize a shift towards honesty and vulnerability in their music and personal lives, contrasting it with the obfuscation of their past. The article highlights how this newfound sincerity has translated into their most accomplished album to date, "III."

This reissue of Elastica's debut album is hailed as "untouchable louche perfection," with its short, sharp songs and enigmatic image resonating strongly with modern pop sensibilities. The article argues that the album's "low boredom threshold" and withholding nature make it surprisingly relevant for today's attention-spans. It's a highly positive appraisal of the reissued record, cementing its status as a classic.

Susanne Sundfør's latest album, "Revelations of Divine Love," is a beautiful and subversive work that uses her voice and a pipe organ to pay tribute to the mystic Julian of Norwich. The album masterfully blends austere experimentation with approachable, enchanting music, offering songs of devotion that are a singular addition to Sundfør's impressive discography.

This article serves as a round-up of the subscriber-exclusive content and perks offered in September 2026. It highlights the monthly playlist, editorial essays, newsletters, and podcasts available to members, encouraging readers to subscribe for access to these benefits.

Vanishing Twin's "Archives" is an excellent and thoroughly modern album, proving that a piecemeal, internet-based creation process can yield compelling, raw, and unique results. The album successfully blends homemade instruments, chopped samples, and experimental approaches, resulting in a sound that is distinctly their own and a significant evolution from their earlier work. This is a truly compelling and modern artistic statement.

This article is an extract from Lias Saoudi's forthcoming book, "Tears Of The Patriarch," detailing a trip to Algeria to recreate The Verve's "Bittersweet Symphony" and recounting his brother Yaz's troubled past, which culminates in a shocking confession of murder. The piece explores themes of identity, family trauma, and the complexities of authenticity in art, ending with a devastating revelation that reshapes the narrative.

This article revisits Public Enemy's 1991 album "Apocalypse 91: The Enemy Strikes Black" 35 years after its release. Despite often being overlooked in favor of the band's earlier works, the author argues it's a "true killer" and a misunderstood masterpiece that showcased the group's most controversial messages and risky presentations, ultimately standing as a moment of triumph.

Curbside Lambsear's debut EP, "Put Rings On All My Fingers To Weigh Down My Hands," is an intriguing and coherent collection of five tracks that expertly blend dissonant chaos with cinematic grandeur. The duo, comprised of members from The Umlauts and caroline, successfully crafts a sound that feels both scrappy and purposeful, exploring post-punk, dub, folk-tinged trip-hop, and shoegaze influences with a lightness of touch and cathartic energy.

Scottish post-rock band Mogwai has released a new track, 'Underground,' featuring Iggy Pop. The collaboration appears on 'Happy Tears,' a retrospective compilation celebrating Mogwai's 30th anniversary. Iggy Pop expressed his admiration for the band and described the track's themes of loneliness and anger.

Kali Malone has released "My Eve My Dawn," the second single from her upcoming album "Burning Song," due October 30, 2026. This new track follows the previously shared "Heavy With Fruit" and marks Malone's first LP of solo compositions since 2024's "All Life Long."

David Sylvian has announced his first album in over a decade, 'The Distance Between The Killer And The Killing,' set for release on February 26, 2027. The entirely instrumental LP is a single 46-minute piece based on recomposed improvisational sessions with various musicians and follows his 2009 album, 'Manafon.'

Andy Stott has released 'Songbird', the second single from his upcoming album 'Late Loop'. The track features vocals from Elaine Howley, who also appears on several other songs on the album, which is characterized by Stott's decision to avoid basslines, reverb, and effects, relying solely on a delay unit.

The Fall has announced their definitive final studio album, 'Post Script,' which will be released on October 2, 2026. The nine-track LP is constructed from archival vocal recordings of late frontman Mark E. Smith, made between 2001 and 2014, with new musical backing completed by long-time collaborators.

The Flaming Lips are celebrating the 20th anniversary of their 2006 album 'At War With The Mystics' with a comprehensive reissue. This deluxe edition includes the original album, numerous unreleased demos and studio recordings, non-album tracks, and live concert audio.

Popol Vuh's soundtrack for Werner Herzog's 1974 film "The Great Ecstasy Of Woodcarver Steiner" is finally receiving its first official vinyl and digital release. The release includes the band's original score and new reworks of the track 'Steiner’s Ecstasy' by james K, ML Buch, and Lorenzo Senni.

Susanne Sundfør discusses her new devotional album, "Revelations of Divine Love," inspired by the medieval mystic Julian of Norwich. The interview explores Sundfør's interest in Norwich's writings on divine love and God as both masculine and feminine forces, as well as the album's recording process and themes of time and motherhood.

Gilla Band's "Pugnello" is a punishing and articulate record that sees the Dublin band reaching for sonic immortality. While exploring themes of mental health and familial estrangement, the album, particularly tracks like "The Angelus" and "At the Gallop," is hailed as their most intense and complete work to date.

Stevie Wonder has released an EP of four previously unreleased tracks from the 'Songs In The Key Of Life' recording sessions, coinciding with the album's 50th anniversary and an upcoming tour. Wonder expressed that these outtakes capture his feelings and discoveries during the original album's creation.

Kim Deal has announced the upcoming release of a live album and concert film titled "Live At The Barbican," documenting a March 2025 performance in London. The show featured orchestral arrangements of her solo material from "Nobody Loves You More" and songs from The Breeders' catalogue.

Klein has surprise released a new album, 'my own fairytale,' featuring 12 tracks including the single ‘man in the mirror.’ The album is described as the UK artist's interpretation of a 'dark Disney soundtrack,' incorporating a diverse range of musical elements and produced entirely by Klein herself.

Wisconsin band Gash delivers a more focused and sophisticated slacker rock sound on 'At Least You Know What You're Laughing At,' moving away from lo-fi fuzz towards clearer, bolder production. The album feels mature and well-realized despite its brevity, offering a compelling evolution for the band.

David McKenna's "Rockfort! French Music for September" is a comprehensive roundup that delves into the complexities of French regionalism and nationalism through the lens of contemporary music. The article reviews essential new releases from Sourdure, Brama, Adiciatz, Hassan K., Odessey & Oracle, Delphine Joussein, and Bamao Yendé, highlighting their unique contributions to the vibrant French music scene.

Forty years on, Iggy Pop's "Blah Blah Blah" is re-evaluated not just as a commercial triumph but as David Bowie's most effective statement of the 1980s. While purists may miss the danger, the album showcases Iggy's mature vocal performances and a unique radicalism in its acceptance of aging, offering a surprisingly honest and relevant moment for both artists.

Oren Ambarchi's "Cooked" is a gutsy and ambitious album that masterfully balances a vast array of instruments and highly processed vocals. Despite the complex production across continents, the record achieves a finely tuned equilibrium, with each element finding its counterpoint, resulting in a patient and evolving listening experience. The inclusion of processed vocals, a departure for Ambarchi, is a surprising yet welcome addition that adds an uncanny, almost AI-like quality.

Synth-pop duo Erasure has announced their 20th studio album, 'Radio!! Radio!!', set for release on March 12, 2027. The album was written during a period of personal grief for Vince Clarke and Andy Bell, with Clarke noting some songs reflect personal experiences. The band will embark on a UK and European tour in support of the album.

Massive Attack's Robert Del Naja was arrested for the second time at a pro-Palestine protest in Liverpool. He was apprehended for supporting Palestine Action, an organization banned in the UK, citing his opposition to alleged genocidal war crimes.

This retrospective examines Stevie Wonder's seminal 1976 album "Songs In The Key Of Life" on its 50th anniversary. While acknowledging its artistic triumphs and enduring legacy, the article argues that the album also contained seeds of future inconsistency and didacticism, marking it as Wonder's last truly major artistic statement before a decline in musical quality.

In this interview, DIY punk artist Hang Linton discusses their commitment to independent music creation, navigating the music industry's exploitative nature, and leveraging social media for fan engagement. Linton also shares their thoughts on political activism in art and their inspirations, aiming to inspire other young artists.